Pub des années soixante dix

les pubs des années soixante dix

Pubs des années soixante dix

Les pubs des années soixante dix

Glam Rock : Suzi Quatro répond à Marc Bolan

> "One Inch Man" de Marc Bolan / T-Rex
http://www.youtube.com/watch?v=T_fMefyOUJM&feature=related
http://www.youtube.com/watch?v=rQU6Htu4t20&feature=related

Lyrics :
Met a woman she's spouting prose
She's got luggage eyes and a roman nose
Her body is slung from side to side
Need a lift she said much obliged
I'm riding piggy-back
Then I come to her shack
We go inside the place is a mess
She said my name's the liquid poetess
She unties her mouth
And her buckskin dress
She drinks from a bottle
labeled tenderness
I'm in one hand in the other's a can
She puts me in the can
And smiles through the wall
I got the horror's cos I'm one inch tall
Next thing I know's a girl by my side
Dressed in a bayleaf she's trying to hide
I asked her name she said Germaine
Do the rock do the one inch rock.

> "Can the Can" de Suzi Quatro
http://www.youtube.com/watch?v=SV4qdf_V2OU

Lyrics :
Well you call your mama tiger
And we all know you are lying
And your boyfriend´s name is eagle
And he lives up in the sky (High, high)
Watch out the tiger don´t go claw the eagle´s eye
But let the eagle take the tiger by surprise
(Scratch out her eyes)

Refrain:
So make a stand for your man, honey
Try to can the can
Put your man in the can, honey
Get him while you can
Can the can
Can the can
If you can
Well can the can

Well your sister´s got the feline touch
She touches up your mind
And your eagle lover likes his little bit of evil
Loving all the time
Don´t let the cat get into the eagle´s nest at night
Because the eagle could say “yes” without a fight
(Scratch out her eyes)

Refrain:
So make a stand for your man, honey
Try to can the can
Put your man in the can, honey
Get him while you can
Can the can
Can the can
If you can
Well can the can

Ooh can the can
(Can the can honey)
Ooh can the can
(Can the can honey)
Uhh huh can the can
(Can the can honey)
Ooh can the can
(Can the can honey)
Can the can
(Can the can honey)
Ooh can the can
(Can the can honey)
Ah honey,
Honey
Honey
Honey, honey, honey

Make a stand for your man honey
Try to can the can
Put your man in the can honey
Get him while you can
Can the can
Can the can
If you can

Films hors période sur le rock des seventies :

"Velvet Goldmine" de Todd Haynes (1998)
http://www.youtube.com/watch?v=tHk_HALSVKo

"Good Morning England" de Richard Curtis (2009)
http://www.youtube.com/watch?v=K03HvgGmt_A

Interprétations de chansons de rockers par des rockeuses : quelques exemples

- Suzi Quatro reprenant "Heartbreak Hotel"
http://www.youtube.com/watch?v=_nqrji49D2I&feature=related

- Patty Smith reprenant "Hey Joe"

Précédé d'un texte qui vient éclairer les paroles de la chanson d'un
autre regard :
http://www.youtube.com/watch?v=-8L6F-yhRW4

La version de Jimy Hendrix :
http://www.youtube.com/watch?v=T86BKZ4eRGY&feature=related

La version de Willy Deville :
http://www.youtube.com/watch?v=q3QO5TCS-hI&feature=related

- The Slits reprenant "Heard It Through the Grapevine" :
http://www.youtube.com/watch?v=IQxvo_9DEqY

La version de Marvin Gaye :
http://www.youtube.com/watch?v=Y7dGdrP3pms&feature=related

La version de Creedence Clearwater Revival :
http://www.youtube.com/watch?v=zZe9OtFNt_8&feature=related

Variations Pop Art

On the road again

Canned Heat , 1968, 1970

Une pochette culte du Glam Rock

T. Rex, Marc Bolan

Film Culte, morceau culte

"I am a woman" by Helen Reddy (1970)

Diverses interprétations par Helen Reddy de ce qui fut
considéré comme l'hymne non-officiel du mouvement féministe aux Etats Unis.

Prolongements du reggae et revival du Ska en Grande Bretagne : quelques exemples

The Specials - Ghost Town : http://www.youtube.com/watch?v=RZ2oXzrnti4

1978 : "One Love Peace Concert", Kingston, Jamaïque.

Concert au cours duquel Bob Marley et Peter Tosh
réussissent à faire monter sur la scène les deux principaux opposants
politiques de l'ile, Michael Manley (premier ministre issu du People's
National Party) et Edward Seaga (du Jamaican Labour Party). Ce concert
avait pour but de faire prendre conscience de l'état de guerre civile
dans lequel se trouvait le ghetto de Kingston, du fait de la guerre des
gangs du ghetto de Kingston, en partie financée par les deux partis
politiques jamaïcains de l'époque.

Photos 1, 2 et 3

1976 : Carnaval de Notting Hill et émeutes raciales

Documentaire sur le contexte politique et social du
déclenchement de plusieurs jours d'affrontement entre la police
britannique et la population immigrée caribéenne du quartier londonien
de Notting Hill.

Glam Rock

Documentaire en 4 parties, autour de David Bowie, Lou
Reed, "The Horror Picture Show" (1973) et la New Wave des années 80.
A propos des liens entre rock, théâtralité (costumes et maquillages),
sexualités (homosexualité et bisexualité) et jeux sur les
représentations du masculin et du féminin.

Première partie :


Seconde partie : http://www.youtube.com/watch?v=LLk5TNVcN1k

Troisième partie :


Quatrième partie :

1er mai 1972

En tête du cortège, des dirigeants d'organisations d'extrême gauche : Alain Geismar (porte-parole de l'ex-Gauche Prolétarienne), Nicolas Baby ( de l'Alliance marxiste révolutionnaire, AMR), Arlette Laguiller ( de l'Union commumiste, porte parole de Lutte ouvrière)....


Le défilé se déroule pendant le conflit du Joint Français à Saint-Brieuc. Le slogan illustrant la célèbre photo reproduite sur la banderole était "Flics hors des usines"

(photos J-C V)
Le cortège des homosexuels


Cortège de soutien à la révolution palestinienne



Cortège du Mouvement de libération des femmes (MLF)


Cortège de la Ligue Communiste




Cortèges anarchistes ( notamment de l'ORA, Organisation révolutionnaire anrchiste dont l'organe hebdomadaire était Front Libertaire)



Révolutionnaires antillais et autres manifestants

Reggae et colonisation

Les paroles des chansons qui suivent sont autant de témoignages d’une culture profondément ancrée dans l’histoire de la colonisation –où l’esclavage et les luttes pour son l’abolition, les conversions au christianisme et l’appropriation de la Bible, l’espoir d’un retour en Afrique traversent de nombreuses chansons des années 1960 et 1970.

Steel Pulse, “Not King James Version”, from the album Babylon the Bandit (1986)

A dis ya version
A no King James version
'Cause out of Africa
Came the Garden of Eden

Hidden from me I was never told
Ancient prophets black and bold
Like Daniel, King David and Abraham
Israel were all black men
I don't wanna lose you

Japhet tried his best to erase
The godly parts we played
I says he came and took
And never mention in his books...no

CHORUS

In Esau's chapter of history
So little mention of you and me
We rulers of kingdoms and dynasties
Explored this Earth for centuries
I don't wanna lose you
Phoenicians, Egyptians and the Moors
Built civilization, that's for sure
Creators of the alphabet
While the West illiterate, yeh

CHORUS

African heritage
I don't wanna lose ya
Oh, no

Slavery came and took its toll
In the name of John Bull Dog
Said we turned ours backs on God
Lost the powers that we had
Now our backs against the wall
Ask ourselves about the fall
Rise rise rise
Hold on to your culture

CHORUS

I don't wanna lose ya
I don't wanna lose ya
Never let them fool you
http://www.youtube.com/watch?v=8UgCs3d9xMc



Aswad, “Drum and Bass Line”

In a different style
Dub plate spinning all the while
What the people wanting
Dub plate till a morning
That's what they all are shouting for
Can you hear them
Seems they just can't refuse it
Just go to bounce and use it
Seems they were born with rhythm within
And you couldn't give up now
You know you couldn't give up now
Couldn't give up now
Dancing to the rhythm of the drum and the bass line
To the question that you're asking
It's clear to see my friend
Time before when we use music
To cool our very soul
And when slave master beat I with the whip
And he made I jump and twist
We use that music to cool us down I say
You couldn't give up now
You know you couldn't give up now
Couldn't give up now
What you do dancing to the rhythm of the drum and bass line
To the question that you're asking
It's clear to see my friend
Time before when we use music
To cool our very soul
And when slave master beat I with the whip
And he made I jump and twist
We use that music to cool us down i say
You couldn't give up now
You know you couldn't give up now
Couldn't give up now
What you do dancing to the rhythm of the drum and bass line
http://www.youtube.com/watch?v=oZiTjP1f8pk



Bob Marley, “Slave Driver”, from the album Catch a Fire

Ooh-ooh-oo-ooh. Oo-oo-ooh! Oo-oo-ooh.
Slave driver, the table is turn; (catch a fire)
Catch a fire, so you can get burn, now. (catch a fire)
Slave driver, the table is turn; (catch a fire)
Catch a fire: gonna get burn. (catch a fire) Wo, now!

Ev'rytime I hear the crack of a whip,
My blood runs cold.
I remember on the slave ship,
How they brutalize the very souls.
Today they say that we are free,
Only to be chained in poverty.
Good God, I think it's illiteracy;
It's only a machine that makes money.
Slave driver, the table is turn, y'all. Ooh-ooh-oo-ooh.

Slave driver, uh! The table is turn, baby, now; (catch a fire)
Catch a fire, so you can get burn, baby, now. (catch a fire)
Slave driver, the table is turn, y'all; (catch a fire)
Catch a fire: so you can get burn, now. (catch a fire)

Ev'rytime I hear the crack of a whip,
My blood runs cold.
I remember on the slave ship,
How they brutalize the very soul.

O God, have mercy on our souls!
Oh, slave driver, the table is turn, y'all; (catch a fire)
Catch a fire, so you can get burn. (catch a fire)
Slave driver, the table is turn, y'all; (catch a fire)
Catch a fire ...
http://www.youtube.com/watch?v=3KqLUTJ3vCw&feature=related



Bob Marley, “Redemption Song”, from the album Legend

Old pirates, yes, they rob I;
Sold I to the merchant ships,
Minutes after they took I
From the bottomless pit.
But my hand was made strong
By the 'and of the Almighty.
We forward in this generation
Triumphantly.
Won't you help to sing
This songs of freedom
'Cause all I ever have:
Redemption songs;
Redemption songs.

Emancipate yourselves from mental slavery;
None but ourselves can free our minds.
Have no fear for atomic energy,
'Cause none of them can stop the time.
How long shall they kill our prophets,
While we stand aside and look? Ooh!
Some say it's just a part of it:
We've got to fullfil the book.

Won't you help to sing
This songs of freedom-
'Cause all I ever have:
Redemption songs;
Redemption songs;
Redemption songs.
---
Emancipate yourselves from mental slavery;
None but ourselves can free our mind.
Wo! Have no fear for atomic energy,
'Cause none of them-a can-a stop-a the time.
How long shall they kill our prophets,
While we stand aside and look?
Yes, some say it's just a part of it:
We've got to fullfil the book.
Won't you have to sing
This songs of freedom? -
'Cause all I ever had:
Redemption songs -
All I ever had:
Redemption songs:
These songs of freedom,
Songs of freedom.
http://www.youtube.com/watch?v=MJHgMD1S0bg&feature=related



Melodians, “Rivers of Babylon”, adapted from Psalm 137 (1958) et Boney M (1978)

By the rivers of Babylon
Where we sat down
And there we wept
When we remembered Zion
But the wicked carried us away in captivity
Required from us a song
How can we sing King Alfa song
In a strange land
Cause the wicked carried us away in captivity
Required from us a song
How can we sing King Alfa song
In a strange land
http://www.youtube.com/watch?v=CzSPC4H_8mU&feature=related



Abyssinians, “Declaration of Rights”, from the album Satta Massagana

Look, oh Lord, they brought us down here
Have us in bondage, right through these years
Fussing and fighting, among ourselves
Nothing to achieve this way, it's worser than hell, I say

Get up and fight for your rights my brothers
Get up and fight for your rights my sisters

Took us away from civilization
Brought us to slave in this big plantation
Fussing and fighting, among ourselves
Nothing to achieve this way, it's worser than hell, I say

Get up and fight for your right, my brother
Get up and fight for your right, my sister
http://www.youtube.com/watch?v=DQa-NMF4wvg&feature=PlayList&p=99AF7B72784B6CD2&playnext=1&playnext_from=PL&index=101




Burning Spear, “Slavery Days”, from the album Marcus Garvey (1975)

Mr. Bigman
When will this payday be?
When will this payday be?
For these retired slaves (Ya a listen me?)
My forefather worked down here
On this great plantation
True he didn't get no pay
For all their wasted days
Tell us now!
When will this payday be?
Mr. SlavedriverCulture, Payday, from the album Payday
They took us away from our homeland
They took us away from our homeland
And we are slaving down here in Babylon
And we are slaving down here in Babylon
They are waiting on an opportunity
They are waiting on an opportunity
For the Black Starliner which is to comeCulture, Black Starliner, from the album Two Sevens Clash
Do you remember the days of slav'ry? (Do you remember the days of slav'ry?)
And they beat us (Do you remember the days of slav'ry?)
And they worked us so hard (Do you remember the days of slav'ry?)
And they used us (Do you remember the days of slav'ry?)
Till they refuse us (Do you remember the days of slav'ry?)
Do you remember the days of slav'ry? (Do you remember the days of slav'ry?)
http://www.youtube.com/watch?v=lOhBOdxO6Hg




Gregory Isaacs, “Slave Master”, from the album The Essential Gregory Isaacs

No competition, I make you my decision, yeah

Everytime I hear the music and I make a dip, a dip
Slave master comes around and spank I with his whip, the whip
But if I don’t get my desire
Then I'll set the plantations in fire
My temperature is getting much higher
Got to get what I require

‘Cause everytime we do the work sometimes we are hurt, oh yeah
Boss never do a thing but hold on to his girth
But if I don’t get my desire
Then I'll set the plantations in fire
My temperature is getting much higher
Got to get what I require

Everytime I hear the music and I move my hip, my hip
Slave master comes around and spank I with his whip, a whip
Slave master, I’m the shepherd you're my pastor
Say you rock ?? so long we make the work
And if I don’t get my desire
Then I'll set the station on fire
My temperature is getting much higher
Got to get what I require

But if I don’t get my desire
Then I set the stations in fire
My temperature is getting much higher
Got to get what I require
http://www.youtube.com/watch?v=bUkCVlq4kcs

The harder they come, Jimmy Cliff, 1972

L'un des titres les plus célèbres d'un film tourné en 1972 sur la vie d'un jeune caïd en Jamaïque. Le rôle principal était tenu par Jimmy Cliff en personne.

Il faut d'abord revenir au "Moïse noir".

Steel Pulse - Handsworth Revolution - Live

Handsworth est le nom du quartier de Birmingham dont ce groupe de reggae britannique est originaire.

1970, tract évoquant l'incendie dramatique du dancing le 5/7 à Saint Laurent du Pont

Les lycéens contre Ordre Nouveau

mars 1972, un meeting au Lycée Condorcet

Mai 1971, célébration de la Commune au Lycée Condorcet

1970, la contestation de l'armée

1972, les lycéens contre les fascistes d'Ordre Nouveau et contre les exclusions prononcées en conseil de discipline

1973, tracts lycéens contre la loi Debré

Contre "l'école-prison", tract du groupe "Révolution", juin 1972

enseignant(e)s, Etudiant(e)s de l'UDD "Rock culture et politique" (2009)

Enseignant(e)s, Etudiant(e)s de l'UDD "Rock culture et politique" (2009)

1979, The burning spear

Linton Kwesi Johnson, le poète créole jamaïcain engagé et britannique

Si j'ose : le "Robert Wyatt" (Soft machine) du reggae britannique (J-C V)


Inglan is a bitch (1975)

Peter Tosh, the other... Bless him Jah ! (1944-1987)

ACTUALITES DU BLOG

Paris Normandie parle de nous :

Action, l'organe des comités d'action lycéens (CAL)

Le premier numéro d'Action est daté du 7 mai 1968 et a été rélisé par des étudiants de l'UNEF et du Mouvement du 22 mars et par des lycéens des Comités d'Action lycéens. Michel Recanati, élève du lycée Condorcet animait les CAL en mai 1968


Les deux autres numéros datent respectivement de janvier 1969 et de mai 1969